
Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? I conceived the poem ‘Melania’s Tone Deaf Jacket’ whilst out on a walk, the day before the monthly poetry event I convene was on. I was incensed about Melania Trump wearing her jacket displaying the words, ‘I don’t really care do you?’ whilst she was boarding a plane on her way to visit the children who were detained in a facility in Texas, after having been separated from their parents at the Mexican border of the United States of America.

I started chanting the chorus to the rap and coming up with various verses that address the theme of apathy, which I felt, she was displaying by wearing that insensitive jacket. I went home and immediately started to write the rap. I also found a backing track to sing it to on Spotify. ‘Always and Forever’ (sad Piano Rap Mix) from Rap Beats Vol.1.
Where were you when you started to actually write the poem? And please describe the place in great detail. I conceived the poem ‘Melania’s Tone Deaf Jacket’ whilst out on a walk, along the beach foreshore of McCrae (BELOW), located on the beautiful Mornington Peninsula, Victoria, the day before the monthly poetry event I convene was on.

What month and year did you start writing this poem? It was June 23rd, 2018
How many drafts of this poem did you write before going to the final? I was engrossed in the rap I was writing and kept returning to it. It consumed my waking hours for the next 24 hours or so, and I continued to review and re-draft it many times. When I felt it was the right length and said what I felt it needed to say, I started to rehearse it as a physical performance for the Sunday night monthly poetry gathering, Poets Corner. https://www.facebook.com/groups/1528686867149765/
BELOW: Beatnik Poets in the 1960s

I found a jacket, which I felt, would work as a costume and made a stick on display for the words, ‘I don’t really care do you?’ I started the song with my back to the audience and acted coy (as she does) as if I didn’t know the full extent of my actions and giggled and flirted as I sang the chorus each time with my back to the audience.
During the chorus, I was Melania. During the more intense and serious phrases, I was serious and more of a narrator or commentator. It was received, to my utmost pleasure and surprise, really well. I found writing this rap/poem just so easy. It seemed to just write itself in many respects. I barely struggled with finding the words to fit the rhythm. I spent the last few hours choreographing the dance moves and hand actions I wanted to use to help emphasize the meaning behind the words and rap.
BELOW: Heather performing “Melania’s Tone Deaf Jacket” on June 28, 2018.)

What do you want readers of this poem to take from this poem?
My intention was to make it clear that we who live in a democracy should care about the world’s problems and the suffering of others and that it is deplorable that one of the world’s most powerful and influential women would display such apathy and appear vein and self-consumed.

I have travelled quite a lot around the world and seen extreme poverty and seen how charity can really make a difference to poor cultures. Last year I went to Myanmar with my husband (BEOW) on a World Vision (https://www.worldvision.org/) related tour of the slums to see how micro-credit can enable these people to live better quality lives, afford education for their children and be self-sufficient. I hope that with more awareness and less self-centeredness people, particularly who are able to, will want to make a difference to those who suffer.


Which part of the poem was the most emotional of you to write and why?
In order to make the point about apathy in the rap, I needed to include some dramatic and shocking real life events which are concerning so I started researching. These events; about the Saudi women only just being permitted to drive, the election in Turkey still resulting in the electing of a dictator, the U.S.A no longer being willing to be the world’s superpower, and to become more focused on its own country therefore handing that power over to China, Ethiopia and Zimbabwe’s election violence, the mass exodus of people around Europe as a result from the swing to the Right in politics and knowing that many Australian’s wouldn’t know that our indigenous people’s life expectancy is 45 years of age, and of course the fact that people are jailed or killed for speaking out using poetry or writing ,were the most emotional aspects of the rap to write and to perform.
Has this poem been published before? No ‘Melania’s Tone Deaf Jacket’ hasn’t been published before.


Heather Forbes-McKeon is a playwright, screenwriter, poet, diarist and short film and radio producer. Heather completed her Masters in Writing and Literature in 2014. She has established and convenes a monthly performance poetry group. Heather recently produced and wrote ‘ The Shell’ a short film. This year, Heather also produced a series of radio plays for RPP FM based on historical events from the Mornington Peninsula, Victoria, Australia. Heather was a high school Drama teacher for many years but has now stepped out into the real world and hasn’t looked back! Heather intends to return to her love of acting later in life when she can play the old woman gossip!

001 Backstory of the Poem
“12 – 2014” from the poetry collection BEFORE THE DROUGHT by Margo Berdeshevsky published by Glass Lyre Press on September 15, 2017
#002 Backstory of the Poem
“82 Miles from the Beach, We Order The Lobster At Clear Lake Café”
by Alexis Rhone Fancher
#003 Backstory of the Poem
“Orange”
by Barbara Crooker
https://christalcooper.com/003-backstory-of-the-poem-orange-by-barbara-crooker/
#004 Backstory of the Poem
“Modern Matsushima”
by Sonia Saikaley
https://christalcooper.com/004-backstory-of-the-poem-modern-matsushima-by-sonia-saikaley/
#005 Backstory of the Poem
“Side Yard”
By Ellen Foos
http://chrisricecooper.blogspot.com/2018/01/5-backstory-of-poem-sidewalk-by-ellen.html
#006 Backstory of the Poem
“The Ringmaster”
By Susan Sundwall
https://christalcooper.com/006-backstory-of-the-poem-the-ringmaster/
#007 Backstory of the Poem
“That Night”
by Leslea Newman
https://christalcooper.com/007-backstory-of-the-poem-that-night-by-leslea-newman/
#008 Backstory of the Poem
“June Fairchild Isn’t Dead”
by Alexis Rhone Fancher
#009 Backstory of the Poem
“The Gift of the Year with Granny”
By Charles Clifford Brooks III
#010 Backstory of the Poem
“The Natural Reflection of Your Palms”
by Scott Thomas Outlar
https://chrisricecooper.blogspot.com/2018/03/chris-ricecooper-caccoopaol.html
#011 Backstory of the Poem
“After Diane Beatty’s Photograph “History Abandoned”
by Anya Francesca Jenkins
#012 Backstory of the Poem
“What I Learned This Week”
By Angela Narciso Torres
#013 Backstory of the Poem
“Holidays On ICE”
By Jan Steckel
https://christalcooper.com/013-backstory-of-the-poem-holiday-on-ice-by-jan-steckel/
#014 Backstory of the Poem
“Colors”
by Ibrahim Honjo
https://christalcooper.com/014-backstory-of-the-poem-colors-by-ibrahim-honjo/
#015 Backstory of the Poem
“Ode To Disappointment”
By Marilyn Kallett
https://christalcooper.com/015-backstory-of-the-poem-ode-to-disappointment-by-marilyn-kallet/
#016 Backstory of the Poem
“Reliquary”
by Beth Copeland
#017 Backstory of the Poem
‘The Swallows of Barcelona”
by Marlon L. Fick
https://christalcooper.com/17-backstory-of-the-poem-the-swallows-of-barcelona-by-marlon-fick/
#18th Backstory of the Poem
“Arterial Discombobulation”
by Juliet Cook
#19th Backstory of the Poem
“Stiletto Killer . . . A Surmise” from the poetry collection ENTER HERE
By Alexis Rhone Fancher
#20 Backstory of the Poem
“At Last I Can Start Suffering”
By Charles Rammelkamp
#21 Backstory of the Poem
“Wind Chimes”
by Marla Shaw O’Neil
#022 Backstory of the Poem
“Studying Ariel”
by Julia Gordon-Bramer
https://christalcooper.com/22-backstory-of-the-poem-studying-ariel-by-julia-gordon-bramer/
#023 Backstory of Poem
“Jesus Zombie”
by Bill Yarrow
https://christalcooper.com/23-backstory-of-the-poem-jesus-zombie-by-bill-yarrow/
#24 Backstory of the Poem
“Brag 2016:
by Telaina Eriksen
#025 Backstory of the Poem
“It is only Yourself that Bends – so Wake up!”
by Seth Berg
#26 Backstory of the Poem
“Devil In the Details”
by David Herrle
https://christalcooper.com/26-backstory-of-the-poem-devil-in-the-details-by-david-herrle/
#27 Backstory of the Poem
“Carmen Polo, Lady Necklaces, 2017”
by Gloria Mindock
#28 Backstory of the Poem
“Two Deaths”
by Connie Post
https://christalcooper.com/28-backstory-of-the-poem-two-deaths-by-connie-post/
#029 Backstory of the Poem
“Faces in a Crowd”
by Mary Harwell Sayler
#030 Backstory of the Poem
“The Risking Point”
by Larry Jaffe
#031 Backstory of the Poem
031 September 24, 2018
Mark Lee Webb’s “After We Drove”
https://christalcooper.com/31-backstory-of-the-poem-after-we-drove-by-mark-lee-webb/
#032 Backstory of the Poem
“Astral”
by Melissa Studdard
https://christalcooper.com/32-backstory-of-the-poem-astral-by-melissa-studdard/
#033 Backstory of the Poem
“I Have A Bass Guitar Called Vanessa”
#034 Backstory of the Poem
David Sullivan’s “Paper Mache Peaches of Heaven”
https://christalcooper.com/34-backstory-of-the-poem-paper-mache-peaches-of-heaven-by-david-sullivan/
#035 Backstory of the Poem
“Sobriety”
by Timothy Gager
#036 Backstory of the Poem
“The Second Breakfast”
by Gary Glauber
https://christalcooper.com/36-backstory-of-the-poem-the-second-breakfast-by-gary-glauber/